ongoing

sfmoma:

Lebbeus Woods, Architect is currently on view at SFMOMA, and throughout the run of the exhibition, we’ll be using Tumblr as a place to sequentially share Woods’s wonderful sketchbooks, since only a fraction of the pages can be on view in the galleries. Featured here is the 23rd page from a sketchbook he worked on in NYC from 1995-1998.
Image: Lebbeus Woods, Sketchbook (30 July 1995, NYC - 23 May 1998, NYC), 1995; Collection SFMOMA, Accessions Committee Fund purchase; © Estate of Lebbeus Woods (2001.153 A-Y)
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sfmoma:

Lebbeus Woods, Architect is currently on view at SFMOMA, and throughout the run of the exhibition, we’ll be using Tumblr as a place to sequentially share Woods’s wonderful sketchbooks, since only a fraction of the pages can be on view in the galleries. Featured here is the 23rd page from a sketchbook he worked on in NYC from 1995-1998.

Image: Lebbeus Woods, Sketchbook (30 July 1995, NYC - 23 May 1998, NYC), 1995; Collection SFMOMA, Accessions Committee Fund purchase; © Estate of Lebbeus Woods (2001.153 A-Y)


yama-bato:

O’Keeffe, Georgia
Winter road I, 1963Oil on canvas55,9 x 45,7 cmEstate of Georgia O’Keeffe
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yama-bato:

O’Keeffe, Georgia

Winter road I, 1963
Oil on canvas
55,9 x 45,7 cm
Estate of Georgia O’Keeffe


I didn’t want my picture taken because I was going to cry. I didn’t know why I was going to cry but I knew that if anybody spoke to me or looked at me too closely the tears would fly out of my eyes and the sobs would fly out of my throat and I’d cry for a week.

— The bell jar - Sylvia Plath (via amphigourique)


hoodoothatvoodoo:

Karl Blossfeldt
“Abutilon (Flowering Maple)”
1900’s
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hoodoothatvoodoo:

Karl Blossfeldt

“Abutilon (Flowering Maple)”

1900’s


fiore-rosso:

erich stahl. grey details. dec 2012.
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fiore-rosso:

erich stahl.
grey details.
dec 2012.



zeroing:

Devin Powers 
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parkstepp:


Lulie Wallace
Flowers for Hayden
2012

stilllifehttp://infinitewaters.net/53Mk/what-is-reality/quickheart:

fuckyeahexpressionism:

Alma Thomas, Grassy Melodic Chant, 1976
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fuckyeahexpressionism:

Alma Thomas, Grassy Melodic Chant, 1976


I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful ‚
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

— Sylvia Plath, “Mirror” (via notcruelonlytruthful)